Hole-in-one TV Park Joo-young Pro I'm producing a three-part, How to accurately match a golf driver Let's move on to the last three parts. All in all, I review the first and second lessons once again. I'll explain it to you at the beginning. And finally, we're going to have to do a third-part regularity lesson. Now let me explain the theory. So first, in the first part of the lesson, I've explained two circles. a circle/image drawn by the heada circle in which the lower body goes like this way When the two parts overlap, I told him it would be a swing line. So now one of the most mistakes I've ever made is… And I'm going to show you from the front, and I'm going to show you that the upper body sounds like this.
At first, I put a lot of emphasis on it. I've been thinking about the circle of the head in this way. I don't care about the rotation of the upper and lower bodies. He's only concerned about the circle of the head. There's a lot of cases where the upper body is blown away. I'll show you from the side again. When the upper body starts to feel like this, What's the head? You can see it's very open. So the most important part of me was, Like putting the left shoulder under your chin. I've been told you'd better listen. And that's when the pace itself is a little bit. With more and be parallel to the spine angle, like this.
This is the correct position. Most open like this and hear a lot. Next time, and much so. Swing itself be flat. That makes it very difficult to see the ball. And as a result, if you hit, You have to use your body again to fit in. The first thing I need to think about is, I'm gonna put your left shoulder right under your chin. I told him I had to think. In the second part of the lesson, when you put up all the backswing, Now we're gonna start the downswing. And then you make a lot of mistakes. There's a lot of people who want to take it. I said it again. So after this, he told me to come. It's not the hand, it's the head. I told you that the blow had to be done.
After coming all the way here like now, He told me I had to come in and hit the ball. I'll take it slow enough to make an impact again. The backswing is raised below the left shoulder and then lowered again. I'm a little bit of a hit right now, This is how you start with your little swing. I told you you had to feel the head coming. It's not like your hands keep moving. It's not your hand moving towards the cheek. Head said that should come and hit the ball. Part 1, by making two copies of the lessons so. In a way, the most basic. An amateur people or street. I'm trying to finish the ball, but it's too strong, All in all, they forget about the basics. Because I'm trying to hit the ball. It's one of the things that's especially hard to get a driver's chart.
I saw the first and second lessons. In the last part of the third lesson, you hit the ball, I'd like to talk to you about the next move. When we put up the backswing like this, And then I got off, and here's the head. He came in here and finished it. It's not over here. I hit him here. After that, we'll have a release, a follow-up. In that gesture, we'll explain it to you at first. If we put it in words, it's expressed in words, It means release. But I can't let go of it. Most of the way here. Even if you've been here like this, And here you are, just like this, with your hands leading the head. I still need you to let me go. It doesn't work, and I take it away like this. So when both hands take it away like this, at the end, This is how you turn it around. And then my hands keep getting ahead of me. What's going to happen if we go like this? Which means the right shoulder has to be lifted like this.
Or you can't let him go in the way I keep taking my hands away, and this is how I take them. There's a lot of open spaces in the club itself. We helped open the club. You shut it down again, so you have to send. But it doesn't work. It's just that you've taken your hand away. You know, when the Club Face opens up, it's like a slice or something. Sometimes you use your wrist at the end and you roll it to the left. After that, it went straight down, and he came back. When he gets here, you let him go. He needs you to turn around. You should go back. You don't have to take it with you. Now, if you practice, the good part is, I have a head cover.
So you'd better take your feelings with you. Backswing, backswing, first lesson, then, Throw it. Throw it forward. What happens when you do this? Now, I'm gonna throw you in the 1 o'clock direction, and you can leave it. You take this and you throw it like this. No, the head cover's backswing. And then you put it down here. Put it down in front of me like this. You have to go like this. It's not working. You keep taking your power away like this, and your hand is now. In a way like this, like I said before, This is how we keep getting ahead of ourselves.
If you're Iron, you're not going ahead like that much. I don't care if I get a little bit of a punch. If you take too much with the screwdriver, It's hard to hit the right ball or slice. So I'm going to take this head cover with me I'd like you to feel a little bit better. I'll drop you in front of you like this. You have to feel like you're just going over your arm. I'll show you one more time, backswing, drop it.
That's how it goes, and then you take the drive. I'll explain it to you, too, backswing, drop it like this. It's about throwing a club and then moving on. If you look from the front like this, You can come out in a very awkward position. The behavior won't work, and head again and again. Head down here. I, arm and let the next time I have to let you move on. If you look yourself here. It's got a finnish motion, naturally. You have to let this go like this way release And then the head goes by, and then it comes out naturally. In the end, in the impact section, How can you let the club head go at my time? depending on whether you're going over it or not.
It's a decision. Is this the way you're coming out? Or does this movement come out naturally after you hit it? You're gonna have to protect me from this. Keep your head in hold and your weight goes to the left. That's why letting go is a priority. I don't know how I feel after that. If you're doing this, if you're doing this, Think of it as holding the steering wheel. When I thought I was holding the steering wheel, When we backswivel here, it's the same thing. A round, it literally sell, do? Be naturally turns his arms. Then after the year, just as. This is as it is bringing his arm without rotation. Similarly, turn left, not taking action. You have to turn like this. It's like this. How do I do this first? I'll do this, but the same thing with the first part of the lesson. I told him his left shoulder had to pass under his chin.
Same here release. Right shoulder is also in the Palo-Urou section. It's a natural way to go down and turn around. Part three, let go of the most important point in the Jota lesson. I wish I had brought the head with me. I need you to let me go like this. You let her go like she's doing now, so naturally, with one's arms rotating That's how you're supposed to turn around.
It's one of the key points. Most of them can't let go. I just keep taking them away. In a way, it's a part that's connected to me. He's coming all the way here in the second lesson. And then you told me I had to hit the ball with the head's approach. But after this, you're gonna have to do it right.
If you can't let go and you can't let go, And we're gonna go all the way down here. You can take it like this. and so on It's hard to make a hit. Part one, part two, part three. So you're gonna have to watch the video and practice enough. In theory, we can approach the right stroke. The most important thing is to think about it. Don't keep trying to do full swing. Backswing, backswivel up here. And then the head's released. The head is laid like this, and then thrown. And then my arm goes over. Like this.If you rotate the lower body, It's a natural finish. It's better to start with a swing that's small enough. If you hit him hard and you hit him hard and you hit him at a distance, It's gonna be the same as before. That's why you should always be careful. You don't have to stand tall.
You can stand tight and expand gradually. Backswing, backswing, get down, head. Heads come and let him go. And then the movement that goes over, and then the movement that goes over when you release it. If the rotation of the rotation arm does not exist, It also means we keep taking them like this. You have to think of the rotation of the arm as very important. You don't turn your arms around like this in the backswing.
When my arms went round and I came down the same way After you hit the ball, your arms will go back. Heads, go with him. Because I have a hand in my arm. He's got a club in his hand. It depends on how it works. He's going back now. the last move Especially if the release action is correct. Guys, you need to focus a lot on this. It's not like it's going to be sliced. Of course, there's a swing plane part. But you're telling me that the head-face opens up as a result. Of course, there's an impact on the orbit, but as a result, the head face is going to have to be a little bit more The open movement is ahead of the hand.
You should let it go like it is now. Release rotation movement. If you take it without giving it back, So we've already turned it around later. It's. It's too late. He's already hit the ball. You'd better take the correct sense. When this happens, loose and a feeling it. I can do. It's not you will try to take drives are absolute. From here on, the motion to let go like this. He could be right. If you take it with you, you'll get a lot of punch. We're in a situation where we're forced to make enough slices. You're always gonna have to pay attention. I don't feel like I'm taking it from my hands. You can feel like he's letting you go. It's not like this. You have to let her go like this. Let her go. I'll throw it over to you. I think one of the reasons why I can do speed is because I can't do it. It's because he's somewhat used to it.
Amateurs have enough. Let's practice on a little swing. It's better to practice throwing and letting go. Part 1 and part 2 and part 3 that I told you about are all related. I'll start with the first part, then the second part. Part three, you have to apply this way in theory. You're gonna understand it faster. If you're going straight to the third-part lesson, you're going to skip the whole process. That's where we're going. That's what we're supposed to do. This is going to be easy, and we're going to have to take part three of the lesson that we've been doing.
That's what we're gonna do with the second lesson. It can come out naturally. Part 1 and part 2. If you practice by looking at it step by step, I think it's going to be a good way to get the right Hole-in-one TV Park Chu-young Pro.